What constitutes Authorship in Art Music?
نویسنده
چکیده
The field of Art Music is based on sufficiently different values than those of popular music. According to the author, a (classical) contemporary music composer, the idea of intellectual ownership in Art Music is inextricably connected with the concepts of originality and structure as opposed to surface elements such as strings of notes or specifically recognizable timbres which frequently form the basis of claims to musical ownership in copyright cases of popular music. The essay will discuss (1) how concepts of Copyright and Intellectual Ownership have frequently impeded upon the author’s and others’ creativity; (2) what is the author’s moral stance in connection with others’ intellectual property; (3) how the postmodern appetite for “found” material to conduct its discourse requires the introduction of a provision for musical quotation in copyright law; (4) how authorship is contingent on musical structure more than foreground material and (5) what is the meaning of intellectual property and authorship within the milieu of spirituality, a value matrix that determines the author’s creative understanding of the world, and that of an increasing number of creative individuals nowadays.
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